Learning through Disruptive Interactions

Fashion education has evolved to meet the changing needs of the industry and train creative individuals to become effective storytellers, image-makers, curators and producers. The role of fashion is becoming an increasingly important medium to communicate unique narratives, develop ways of portraying, reimagine museum and retail spaces, and explore innovative ideas, processes and business solutions.

A theory of Cybernetic-Existentialism is proposed and developed in relation to interactive performances that draw upon or encapsulate primary themes from the distinct but interrelated disciplines of cybernetics and Existentialist philosophy. Ideas from both fields are identified as converging in classic works across the history of interactive performance including by Kaprow, Beuys, Klüver, Abramović, and Galloway and Rabinowitz.

Forwarding arts therapy in South East Asia

Over the past ten years, the profession of arts therapy has come a long way in South East Asia. As the first and truly only international professional association in the Asia-Pacific region, the Australian and New Zealand Arts Therapy Association (ANZATA) is now firmly positioned as a professional community which contributes effectively towards the development of the arts therapies. In all countries where arts therapy has evolved, there have been significant challenges inherent in establishing and developing a credible professional identity.

This chapter analyses a theatre performance of The Kite Runner performed at the Birmingham Repertory Theatre in 2014. Borrowing Walter Benjamin’s concept of ‘aura’ interpreted as a way of ‘getting closer to things’, I propose that Matthew Spangler’s adaptation of Khaled Hosseini’s novel establishes a ‘genuineness’ to an Afghan culture. In Spangler’s attempt to avoid being culturally offensive, his stage adaptation remained ‘truthful’ to the novel, a form of fidelity to the source.

This paper examines the reflection on artwork created by four educators, of two postgraduate art psychotherapy training programmes from two distinct cultural and geographic parts of the world, the UK and Singapore, during an overseas student trip. This trip was part of a partnership activity between institutions to develop an intercultural experience between staff and students of both places.

News

LASALLE grads lead the way in proving design and art is more than just mere aesthetics

More than ever, creativity, innovation, collaboration and excellence are called for in the economy of tomorrow. Just ask LASALLE College of the Arts graduate Jerome Lim, who decided to transfer out of the National University of Singapore’s Industrial Design programme in order to pursue his dreams of becoming a thought leader of fashion.

“I wanted to be stimulated creatively by pursuing a degree that marries design and business. At LASALLE, I was able to engage both my left and right brain in a dynamic discipline,” said Jerome.

News

Tremble, Tremble!

For those who had witnessed Tremble Tremble by Irish artist Jesse Jones during the 57th Venice Biennale this year, many left filled with awe. The same atmosphere at the Pavilion of Ireland was recreated by Jones at LASALLE’s Institute of Contemporary Arts Singapore (ICAS), and as an arts correspondent for Lianhe Zaobao noted, “it is as if one is right in the centre of a movie.”

News

Tremble, Tremble!

For those who had witnessed Tremble Tremble by Irish artist Jesse Jones during the 57th Venice Biennale this year, many left filled with awe. The same atmosphere at the Pavilion of Ireland was recreated by Jones at LASALLE’s Institute of Contemporary Arts Singapore (ICAS), and as an arts correspondent for Lianhe Zaobao noted, “it is as if one is right in the centre of a movie.”

News

A woman's touch needed

Irish artist Jesse Jones’s Tremble Tremble is an interdisciplinary exhibition that employs installation, film, sound and performance to re-imagine feminist history. In its iteration at LASALLE’s Institute of Contemporary Arts Singapore, which is the exhibition’s first showcase outside of the 57th Venice Biennale, the theme of legacy is even more pronounced.